these poems i now write
my caucasian editor says
i am losing my spark.
he says i no longer write those poems
that wows his periodical’s faithfuls:
poems that faithfully bend to his people’s
narratives that I am indeed a savage
needing of their lectures on how to be human.
he says I no longer write poems
that can make even the staunchest of stoics tremble:
poems about fathers who, with their flaccid
penises, strangle their sons;
poems about mothers who, in the dampness
of their vaginas, drown their daughters;
poems about winds that wear to shreds birds’ wings;
poems about waters that drown fishes
navigating through their teeth.
he says these poems i now write—
poems about the glories of my old gods;
poems about the comeliness of my ancestral lands;
poems about the exquisiteness of our women;
poems about tip: the ancient dance of our fathers;
these Poems filigreed with the untranslatable metaphors
of our old tongues—are bland
to his literary taste buds.
what my good friend, the caucasian editor,
knows not is i am no longer writing
to woo his periodical’s faithfuls
or make the staunchest of stoics tremble
or tingle his literary taste buds.
i am writing to retrieve all we lost to history
& all we lost to history cannot be retrieved
by writing poems imbued with grief
or by writing poems imbued with guilt
or by writing poems imbued with agitation.
all we lost to history can only be retrieved
by writing poems imbued with our
greatness…
even if to a half-measure.
ABOUT THE POET
MK Kuol, recently shortlisted for the Wanjohi Prize for African Poetry, was the second place winner of the annual Pengician Poetry Chapbook Prize. His works have appeared on Pulp Lit, Spillwords, Port Harcourt Literary Review, Fiction Niche, Kalahari Review and elsewhere. MK Kuol loves dark rooms, coffee, moon-gazing, folk music (Arizona JJ’s to be exact) and conspiracies. He tweets (rarely) @mk_kuol14
Mooch Simon
Hakim Fuhad Mansaray